NEWS DEO4

XIII RioWindsFestival – 1 MUSIC AT THE MUSEUM- PROGRAM – NOVEMBER 2023 – Brazil

XIII RioWindsFestival – 1 MUSIC AT THE MUSEUM- PROGRAM – NOVEMBER 2023 –

Music in the Museum – 26 years

Intangible Cultural Heritage of Rio de Janeiro. 

MUSIC IN THE MUSEUM presents, XIII RioWindsFestival. https://www.facebook.com/musicanomuseufan/

Music in the Museum continues in the celebrations of its 26 years in 2023 presenting, the XIII RioWindsFestival, which has been held for several years in November with the Curatorship of the oboist Harold Emert, former OSB, and has the participation of expressive names of wind instruments from Brazil and abroad.

But in the November program, in addition to the big names,

the 5th, the National Day of Culture and the 8th in honor of Rachmanimnoff’s 150th birthday are highlighted.

http://Sergei Rachmaninoff – Wikipedia

PROGRAM:

November 1 – Wednesday – 12:30 p.m.

Banco do Brasil

Cultural Center Rua Primeiro de Março, 66 – 4º andar (sala 26) – Centro

Musicians:Consorcium Sigismund Neukomm: Harold Emert, oboe,

Eduardo Camenietzki, guitar, Aleida Schweitzer, piano

Special guests: Phylis Huber, actress-narrator and Silvia

Habitschek, narrator

PROGRAM: SIGISMUND Neukomm, Mozart, Camenietzki and Emert

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November 3 – Friday- 12:30 p.m.

France-Brazil House

Rua Visconde de Itaborai 78- Candelária.

Musician:

Program: International classics.

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November 5 – Sunday- 13h00

(Dia Nacional da Cultura)

Museu da República

Rua do Catete, 153 – Catete

Capacidade: 70 lugares

Músico: Pierre Descaves,corne ingles e oboe e amigos]

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Dia 6 de novembro – segunda-feira – 12h30.

Biblioteca Nacional.

Rua México s/no.

Capacidade: 90 lugares;

Musico: Trio Movimento Musical

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Dia 7 de novembro – terça-feira- 12h30

Paço Imperial – Sala dos Archeiros

Praça XV de Novembro, 48 – Centro

Capacidade: 82 lugares

Músico: Conjunto de Flautas Doce “ARTE em SOM”.

Programa:

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Dia 8 de novembro – quarta-feira – 12h30h

Centro Cultural Banco do Brasil

Rua Primeiro de Março, 66 – 4º andar (sala 26) – Centro

Capacidade: 90 lugares

Músico:

Programa:

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Dia 9 de novembro – quinta-feira- 18hs

Palácio Tiradentes.Salão Nobre.

Rua 1º. de março s/no- .

Capacidade: 100 lugares.

Músico:

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Dia 10 de novembro – sexta-feira- 12:30 hs

Casa França-Brasil

Rua Visconde de Itaborai- Candelária.

Capacidade: 80 lugares.

Musicos: Trio Lucent: Jackie Mcllwan e Julie Detweiler,

clarinetas e Deloise Ohlsson, teclado

E

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Dia 12 de novembro – domingo – 13h00

Museu da República

Rua do Catete, 153 – Catete

Capacidade: 70 lugares

Músicos: Jared Hauser,oboe (Vanderbilt

Universityt,Nashville,Tennessee ) e violao

Programa: Musica erudita para oboe e violao incluindo George

Gershwin

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Dia 14 de novembro – terça-feira – 13h00

Museu da Justi ça

Rua Dom Manuel, 29 – Centro

Capacidade: 80 lugares

Músicos: Ian Davidson ,oboe (Texas State University) com piano

Programa: Musica erudita para oboe e piano

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Dia 15 de novembro – quarta-feira – 12h30

Centro Cultural Banco do Brasil

Rua Primeiro de Março, 66 – 4º andar (sala 26) – Centro

Capacidade: 90 lugares

Músico: Colin Foster, flauta e João Freire, piano

Programa: Mignoe, Cláudio Santoro , Bach

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16 de novembro – quinta-feira – 18hs

Centro Cultural da Justi ça Federal

Av. Rio Branco, 219 – Sala de Sessões – Centro

Capacidade: 80 lugares

Músico: Ian Davidson, oboé e Daris Hale ,fagote (Texas State

University,Austin)

Programa: Clássicos internacionais

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17 de novembro – sexta-feira – 18hs

Casa de Cultura Laura Alvim.

Av. Vieira Souto 176.

Capacidade: 80 lugares

Músico: Jazztopia…….sax

Programa: Gherswin

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Dia 18 de novembro – sábado – 17hs

Parceria Música no Museu-Casa Eva Klabin

Casa Eva Klabin

Av. Epitacio Pessoa 2480- Lagoa

Capacidade: 80 lugares

Músicos:

Programa:

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Dia 19 de novembro – domingo – 13h00

Museu Carmen Miranda.

Av. Rui Barbosa s/n. Parque do Flamengo.

Capacidade: 70 lugares

Músico:

Programa: Clássicos internacionais com solistas da Orc

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Dia 21 de novembro – terça-feira – 12h30

Museu da Justi ça

Rua Dom Manuel, 29 – Centro

Capacidade: 70 lugares

Musicos: Trio Harold Emert, oboe, Heber Leite, clarineta e Claudio Vettori,

piano convidada especial : Fabiana Ozawa, soprano

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Dia 22 de novembro – quarta-feira – 12h30

Centro Cultural Banco do Brasil

Rua Primeiro de Março, 66 – 4º andar (sala 26) – Centro

Capacidade: 90 lugares

Músicos: John Rojas, oboe- e Maria Elizabeth Bezuidenhout, piano

(Africa do Sul)

Programa: Grant McLachlan,Madelein Dring,Norman

Edwards,M.E.Bezuidenhout e musica dos tribos Zulu,Xhosa e

Musicas Africanas.

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Dia 23 de novembro- quinta-feira- 18hs

Palácio Tiradentes.Salão Nobre.

Rua 1º. de março s/no￾Capacidade: 100 lugares.

Músico: Program to be updated soon

Maria Elizabeth Bezuidenhout (Africa do Sul)

John Rojas, oboe-e & Maria Elizabeth Bezuidenhout (Africa do Sul)

John Rojas, oboe-e

Edwards,M.E.Bezuidenhout e musica dos tribos Zulu, Xhosa e

Musicas Africanas.

Programa:

_____________________________________________________________________

Dia 25 de novembro – sábado – 18h00

Palácio São Clemente – Consulado de Portugal

Rua São Clemente, 424 – Botafogo

Capacidade: 200 lugares

Músicos: Oboista William Wielgus ,Washington D.C

Programa: Musica Erudita internacional

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Dia 26 de novembro – domingo- 12hs

Museu Carmen Miranda

Av. Rui Barbosa, s/no- Flamengo

Capacidade: 80 lugares

Músico: New York Kammermusiker, Ilonna Pederson, corne ingles e

diretora

Programa: A Epoca de Ouro Barroco e Harold Emert

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Dia 28 de novembro – terça-feira – 18h30

Museu Histórico do Exército / Forte de Copacabana

Praça Cel. Eugênio Franco, 1 – Copacabana (Posto 6)

Capacidade: 115 lugares

Músico: Madrigal do Leme. Regência: Anton Steuxner.

Programa:

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Dia 29 de novembro – quarta-feira – 12h30

Centro Cultural Banco do Brasil

Rua Primeiro de Março, 66 – 4º andar (sala 26) – Centro

Capacidade: 90 lugares

Músico: Gabriela Koatz, flauta e Leandro Turano, piani

Programa: Gnattali , Villa Lobos, Koatz, Jacob de Bandolim

_____________________________________________________________________

Dia 30 de novembro – quinta-feira – 18hs.

MUSEU DO INGÁ

Rua Presidente Pedreira no. – Ingá- Niteroi.

Músico: Harold Emert, oboe e Eduardo Camenietzki,violao

Programa: Obras de Emert e Eduardo Camenietzki,

Obras no.americans e brasileiras.

Interesting Notes: Did you know that of  the featured sounds on Wikipedia, members of the community had identified as one of the best sounds on the English Wikipedia a work by Rachmaninoff? The “featured sound” process ceased operation in November 2011 and the notation on Wikipedia is retained for historical interest only.

File:Etudes-Tableaux, Op. 39, No. 5.ogg.  (Listen to it here!)

File:Sergei Rachmaninoff – Etudes-Tableaux, Op. 39, No. 5.ogg – Wikipedia

Who was Sergei Rachmaninoff?

(1 April [O.S. 20 March] 1873 – 28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness, dense contrapuntal textures, and rich orchestral colours. The piano is featured prominently in Rachmaninoff’s compositional output.

Increasingly unhappy with the political turmoil in Russia and in need of seclusion from his lively social life to be able to compose, Rachmaninoff with his family left Moscow for Dresden, Germany, in November 1906. On the day the February 1917 Revolution began in Saint Petersburg, Rachmaninoff performed a piano recital in Moscow in aid of wounded Russian soldiers who had fought in the war.

In early 1942, Rachmaninoff was advised by his doctor to relocate to a warmer climate to improve his health. After completing his final studio recording sessions during this time in February, a move to Long Island fell through after the composer and his wife expressed a greater interest in California, and initially settled in a leased home on Tower Road in Beverly Hills in May and in June they purchased a home at 610 North Elm Drive in Beverly Hills. Rachmaninoff’s health rapidly declined in the last week of March 1943. In his will, he wished to be buried at Novodevichy Cemetery in Moscow, where Scriabin, Taneyev, and Chekhov were buried, but his American citizenship made that impossible. Instead, he was interred at Kensico Cemetery in Valhalla, New York.

Read More here: Sergei Rachmaninoff – Wikipedia

Picture credit: Bain News Service, publisher – Library of Congress Catalog: https://lccn.loc.gov/2014710316 Image download: https://cdn.loc.gov/service/pnp/ggbain/30100/30158v.jpg Original url: https://www.loc.gov/pictures/item/2014710316/

Contact details of the organizers of RioWindsFestival:

John and Maria @ XIII RioWindsFestival – 1 MUSIC AT THE MUSEUM: 22 & 23 November 2023, Rio de Janeiro – Brazil

Maria – Elizabeth Bezuidenhout and John Rojas will debut with the premiere of Maria’s beautiful composition Abencõ o Brazil as DEO4Musicians at the RioWindsFestival on 22 & 23 November 2023 at its 13th edition.

(please excuse the typo in the organizer’s exhibit).

It is the world’s largest wind festival. During its 11th edition during 2020, it went completely online and brought instrumentalists together worldwide. Now post the worst of Covid – 19, musicians are looking forward to a great festival filled with talent and joyful noises.

XIII-RioWindsFestiva-l-preiminary-programDownload

John and Maria’s program extract:

Dia 22 de novembro – quarta-feira – 12h30

Centro Cultural Banco do Brasil

Rua Primeiro de Março, 66 – 4º andar (sala 26) – Centro

Capacidade: 90 lugares

Músicos: John Rojas, oboe- e Maria Elizabeth Bezuidenhout, piano (Africa do Sul)

Programa: Grant McLachlan,Madelein Dring,Norman Edwards,M.E.Bezuidenhout e musica dos tribos Zulu,Xhosa e Musicas Africanas.

DEO4Musicians is setting a record this year as they also premiered with “Heaven’s Frequency” also composed by Maria with its first performance in Bangkok, Thailand during July 2023 – IDRS Conference.

Read more about the festival on this website here:

https://deo4music.com/?p=747

RioWindsFestival Contact:

FLASHBACK – 22 February 2023

Per la gloria d’adorarvi – Bononcini – Maria – Elizabeth Bezuidenhout & John Rojas (3.03) – COPYRIGHTED

Listen to this beautiful song – Per la gloria d’adorarvi – Bononcini – Maria – Elizabeth Bezuidenhout & John Rojas on Soundcloud at: https://soundcloud.com/rojas_bezuidenhout/per-la-gloria-bononcini?utm_source=soundcloud&utm_campaign=share&utm_medium=twitter

Probably the most famous song from the opera is Ernesto’s aria, “Per la gloria d’adorarvi,” https://cc.bingj.com

Griselda is a dramma per musica in three acts that was composed by Giovanni Bononcini. The opera uses a revised version of the 1701 Italian libretto by Apostolo Zeno that was based on Giovanni Boccaccio’s The Decameron (X, 10, “The Patient Griselda”). The Italian poet Paolo Antonio Rolli was hired to revise the text. Bononcini’s opera premiered in London at the King’s Theatre on 22 February 1722. From the opera, an aria “Per la gloria d’adorarvi” is nowadays a famous and popular concert piece, with opera singers such as Oleg Ryabets (performed in 2001, at Kasals Hall, Tokyo, and in 2005, at Festival Die Metamorfosen by Georges-Emmanuel Schneider, Interlaken), or Ramon Vargas (recording in 2002, Arie Antiche). https://en.wikipedia.org/wiki/Griselda_(Giovanni_Bononcini)

Bononcini’s brother, Antonio Maria Bononcini, also composed his own opera to Zeno’s libretto four years earlier.

For the glory of adoring you (Per la gloria d’adorarvi)

For the glory of adoring you

I want to love you,

O dear eyes. (“O dear lights”)

Loving I will suffer,

Yet always I will love you,

Yes, yes, in my suffering,

I will suffer,

I will love you,

Dear eyes. (“dear lights”)

Without hope of delight,

Vain affection it is to sigh,

Yet your sweet rays

Who could ever admire

And not, and not love you?

I will suffer,

I will love you,

Dear eyes! “O luci care” literally would be “O dear lights” https://cc.bingj.com – by translator Marco –

www.weknow.ch

BAKERSFIELD – CALIFORNIA – January, 2021

John Rojas, a Bakersfield, Californian native; is one of the most well known woodwind – specialist musicians in the world, who had performed internationally, with the cream of superstars throughout many years. South African composer, soprano Maria- Elizabeth Bezuidenhout, his wife, who is multi – talented likewise, and John visited Bakersfield for three weeks during January 2021, where they had been visiting John’s 98- year old mother, Frances Rojas, who had since passed away. Professionally known as Deo4, they have also been recording hot- off -the press new compositions, including one beautiful visionary Arabic song.

Maria – Elizabeth and Reggie in Bakersfield
John and Reggie Langendoerfer – Bakersfield

Bakersfield is a city in Kern County, California, United States. It is the county seat and largest city of Kern County. The city covers about 151 sq mi (390 km2) near the southern end of the San Joaquin Valley and the Central Valley region.

The city is the birthplace of the country music genre known as the Bakersfield sound.

John Rojas and his wife Maria – Elizabeth and Reggie Langendoerfer had been recording history, quietly since 2021. Reggie has his own unique reason for being in Bakersfield. Bakersfield, California – Wikipedia

In 1989, accomplished guitarist, audio engineer, teacher, and overall music fanatic Reggie Langendoerfer packed up his guitars and left his home in Munich (and his established music school and recording studio) for sunny Bakersfield, California. The reason? The sound of America had been calling to him since 1968, when Elvis’s comeback special first sparked his immersion in guitar and the audio arts. The result? Bakersfield Music and Recording Studios, Reggie’s brand-new music school and studio in the States. https://www.groupon.com/biz/bakersfield/bakersfield-music-recording-studios

Lessons in guitar, bass, and vocals (in styles including country, rock, blues, and classical) are taught by Reggie and his staff of virtuosos during one-on-one sessions that accommodate all ages and skill levels. The souped-up recording studio boasts the latest Pro Tools HDX system (which records up to 256 tracks, perfect for bands with 256 guitarists) and provides sterling Neumann and AKG condenser microphones, outboard gear, effect processors, sound modules, drum machines, vintage amps, and drums, as well as a Hammond organ. http://www.bakersfieldmusic.com/

It is here at the Bakersfield Music and Recording Studios that the three talented musical muso’s record beautiful sounds together, working on John and Maria’s longterm musical projects and recordings.

Bakersfield and music are synonymous with each other. The trio just adds rich sounds to the already fascinating history of the place.

The Bakersfield sound is a sub-genre of country music developed in the mid-to-late 1950s in and around Bakersfield, California. Bakersfield was the first subgenre of country music significantly influenced by rock and roll, relying heavily on electric instrumentation and a strongly defined backbeat. It was also a reaction against the slickly produced, orchestra-laden Nashville sound, which was becoming popular in the late 1950s. The Bakersfield sound became one of the most popular and influential country genres of the 1960s, initiating a revival of honky-tonk music and influencing later country rock and outlaw country musicians.

Wynn Stewart pioneered the Bakersfield sound, but it looks as if John and Maria and Reggie may just be building the castle, topping it off.